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Email: spencermu123@gmail.com

Contact me for portfolio and commissions :)

Hey friends! I am having my first ever exhibition opening on the Friday 21st at Brunswick Street Gallery. The exhibition will run for 2 weeks from 20th of April to 17th or May. Come drop by and say hi🧡 x Spence
Composition 6, Final painting for the ‘Anatomy of Space’ Series. Oil on canvas, 30x40in . . . . #oilpainting #contemporaryart #abstractpainting #geomatricabstraction #architecturepainting #deconstructivism #poststructuralism #moderism #c
Some rendering for summer studio. A mix use civic development in Northcote Tutor: Justin Malia . . . . . . . . . #monasharchitecture #postmodernism #ruination #sentimentalarchitecture #deconstructivism #hetrotopia #toffuco #architecturestudent #arc
Uni is back… Common ground is a mix use design located in Northcote including public square and residential apartment tower. Studio: Metaphysical, Tutor: Justin Mallia . . . . . . . . . . . . . . #monasharchitecture #postmodernism #ruinat
Composition 5, The painting examines the architectural potential of space without orientation. It functions as a double entendre between the permanent and ephemeral space. The uncannyness of the composition forms an in-between space and occupies both
Composition 4, This painting followed the similar subject matter as the previous three, it explores the spatial indeterminacy through shifting perspectives and signifiers to construct architectural space. It does so with simplicity in mind and act a
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Without context, without orientation. Architectural space’s orientation is dictated by signifiers such as material, details (e.g. cornices), and forms (e.g. hallway). This painting series attempted to challenge such concept by adapting a flexi
Composition 4, the painting continues the investigation of what is architecture behind its entrenched binary oppositions. It utilises stark contrast between colours, patterns and textures to construct a architecture space based on their differentiati
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Composition Two: continuing the theme of challenging architecture’s binary mode of representation, the second iteration of the series explores the impossible spatial experience composed of conflicting method of representations. From orthogonal